Inspired by works by Charles Simic
"The purpose of poetry is to return that which is familiar to its original strangeness" - Charles Simic
The above points to quite a surreal week as it turned out.
"The purpose of poetry is to return that which is familiar to its original strangeness" - Charles Simic
The above points to quite a surreal week as it turned out.
1. And a lot of what you said made me feel a bit
And a lot of what you said made me feel a bit melancholy, to be honest. I mean, I know you're happy with all the things you've done and all you've achieved, and I'm happy for you, I really am, but I just can't help but compare all your success with all of my, by comparison, abject failure and it just ... made me feel a bit shit if I'm completely frank. I mean, go you, but also fuck you and your perfect life.
2. You want to think you’re a saint
You know, doing a nice thing for someone does not immediately make you a good person. It doesn't make up for all the stuff you've done before that ruined lives and took away people's happiness. You've found a new purpose in your life now and maybe you've learned something but you want to think you’re a saint and you've got a long way to go before people will think of you as anything but a bastard.
3. Man owes a debt to his wife
(A dodgy sequence of dodgy haikus)
Wife gives up her job
Focuses on home making
Changes all her dreams
House is kept lovely
Man owes a debt to his wife.
Works hard, always out
Wife then gets lonely
Wife finds better things to do
Man finds self alone.
4. You’ll pay in cash; it’s the wages of sin
We have a few special offers this week, and there's a menu on that wall over there. If you take up any of the special offers of course, you'll pay in cash; it's the wages of sin, quite literally. We can't be putting these things through the books now can we? HMRC think we're a proper legit therapy studio.
5. But then she come to
(more dodgy haikus. I struggled with some of these prompts)
But then she come to
The world all as she left it
All so familiar
Looks around the room
Decides she will slumber more
Here worse than nowhere
Unconscious again
Dreams can be terrifying
So can reality
these places take turns
At first being the escape
and then the nightmare
Based on Mrs Death Misses Death - a chapter from the point of view of a wooden desk.
Write something from the perspective of an object.
Suggested materials:
Sand/sea to glass
Wood table/guitar/ wood
Cotton / clothes/material
Stone / volcano
Metal in ore/ felt tectonic plates shifting
Suggested openings
I could have been …
I remember the tree that I once was …
I learned very early on that …
Over the years I have …
All I know is this, …
My Idea:
Fur coat. Sense of animosity towards the person wearing it. Ineffectually planning to harm them in some way. Memory of being a mink in a fur farm.
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I suppose I would have been dead by now, had my life not been taken from me by them when it was. The existence I had wasn't a great one, if I'm completely honest, but it was a real life. I had a family. I had many many others of my kind nearby. I could hear them all day and all night as I grew into the creature I was destined to become, then suddenly, blankness. I have a window of time indeterminate during which there was nothing, then air and noise and warmth and the sensation of being touched by many ... somethings. A bit like noses, but longer and thinner and warmer and not wet, and lots of them with different smells. Well I say smells, but not having a nose, or eyes, or ... well any sensory organs, if we're being accurate ... the sensations of sounds and smells landed differently than they did when I was younger.
After a while the different nose-things disappeared mostly, and I was only ever touched by the same few, which I came to realise over the years, were something called fingers, on something called a woman. The woman who was always taking me places, she smelled of mothballs and bitter flowers and mint and old sweat. I hated her then and I still do. How dare she do whatever it is that she's done such that I'm now doomed to stay draped over her shoulders, getting wet in the rain while I keep her warm and dry. When it's not cold and not wet I'm confined to a dusty and stuffy wooden cupboard until it's cold enough for her to need me again. There's more to me than just me, but I cannot detect any sense of the identity of my, presumably similarly unwilling companions. I cannot decide if they, or I, are the lucky one. Maybe they are like me, and they too are lonely. Maybe they can sense me, but I just cannot sense them.
The place I grew up was a dirty place of concrete and steel with "people" around who were apparently charged with my welfare, and that of my fellow creatures. Welfare is a low bar in these places it seems. We had enough to eat, we were kept clean, but we never had space to run. My family were not my parents and my offspring but the chosen family I found within the place. They were like me, with the same fears and the same very limited joys. Sometimes some of us would be taken from our home and we would never see them again. We liked to think they had been taken somewhere better where they had more freedom. More happiness. More light. I now realise that this was not the case for any of them. The ones who constantly tried to escape, who some of us used to look down on for the chaos they caused, were actually the only ones with the right idea. My own fate likely awaited every creature I have ever loved. I am now bonded with an unknown number of the dead, and this one woman who now uses their corpses and my own body as a status symbol. If she needed us such that she might stay alive in the cold perhaps I would not begrudge her that so much, but she spends her whole life in the warmest places and I spend much of my time in those places hung on an uncomfortable rack, pressed up against various types of garment including some made of creatures, some of plants, some shiny, some soft and furry like me. Occasionally I can sense a consciousness there but we have no means by which to communicate so we just wait, peripherally aware of one another's existence, for our jailers to collect us and take us home again.
Here we go now. I am draped loosely over her form like a thick layer of snow on a bulbous mountain. I hear loud noises as something large goes past, belching out a choking smell that I can feel settling on my fur. She even steps back from that. As I always do, I sense the danger of the place where the loud thing moves. I try to push her towards it. I have no power, but I hear her talk sometimes of the power of thought. Of belief. If I can just work out how to use that, perhaps I can bring my own power to bear. Perhaps I can make her take just one more step, into the path of the loud thing, and then she and I will be done with each other forever. It may destroy me as well, but after all this time, I think that would be welcome. I push. I push. She seems to stumble... have I finally done it? No. She's stooping into something warm and fragrant and dark. There's a thud as the door closes then another one, and movement. I shall not have my freedom this day.
All prompts based on the work of Brenda Shaughnessy.
I am dreaming of a house,
Perhaps in a similar situation to this one,
With life and light streaming from its heart.
A river of animal warmth
flowing through every room
into the garden
around the furniture and the toys
and back, up the stairs
to bed and safety.
Come spend some time.
There is warmth to share,
Food to sustain you.
You are welcome
If you bring with you whatever
light and warmth you are able.
If you have plenty you can complement our supply.
If you have little or none
then we will try to send you on your way
with more than you brought.
Like our detritus,
our hearth's heat spills over through our lives
and our interactions.
Please gather some up
and carry it with you.
This time I ran the first three of these into one strange piece of flash fiction, whereas the other two were standalone. The prompt phrases, all taken from Audre Lorde's work, are highlighted within the text.
1/2/3: Some words are open. This time he wasn't using any of them and I knew I was out of luck here and that I should take myself, my patter, and my suitcase of stuff elsewhere. He extended his arms in a herding motion, placating at the same time.
"Look, any other year I'd have been totally up for buying some of these and trying them" he says, and that lie hangs in his mouth as he guides me towards the door, looking distractedly at his phone. "This year I have to consider every expense. Maybe try the other shops?"
Next door was the butcher's shop. It was low end, selling offal, mostly, the spare parts of animals. I inhaled as I stepped inside. "I'm here because I remember the smell of your neck in August, and I've not been past since. You got any?" The last time I passed, they'd been cooking some meat up outside for a summer barbecue but I'd been in a hurry. The butcher sniffed; a disgusting liquid snort. "Nope. All outta turkey."
4. The difference between poetry and rhetoric is that most people claim to know what poetry means and they say they don't encounter rhetoric, when in reality the reverse tends to be true.
5.
A poem in the form of a letter to something or someone, but where it's not immediately made obvious that it is, in fact, a letter.